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Biography • Performances
• Discography •
Press • Awards
Misc.
• Photos
• Kafka Fragments
• Residencies
screecher biography
Tony Arnold
John
von Rhein of the Chicago Tribune writes, “anything sung by
soprano Tony Arnold is worth hearing.” Hailed by
the New York Times as “a bold and powerful interpreter,” she
has gained international acclaim for sparkling and insightful performances
of the most daunting contemporary scores. In 2001, Ms. Arnold was
thrust into the international spotlight when she became the only vocalist
ever to be awarded first prize in the Gaudeamus
International Interpreters Competition. On the heels of that triumph, she claimed first prize in the
15th Louise D. McMahon International Music Competition. Since that time,
Ms. Arnold has established a reputation as a leading specialist in new vocal
repertoire, receiving consistent critical accolades for her many recordings,
as well as performances with groups such as the International
Contemporary Ensemble (ICE), Chicago Symphony
Orchestra’s MusicNOW, Los Angeles
Philharmonic New Music Group, New York
New Music Ensemble, Ensemble 21,
eighth blackbird, Contempo, Orchestra
of St. Lukes, Boston Modern Orchestra
Project, Fulcrum Point, and many others.
Ms. Arnold has been a frequent guest at international festivals
in the USA, Mexico, Germany, Armenia, Finland, Switzerland, Italy,
and Korea. She was a featured artist at the 2008 Darmstadt
International Music Festival, the premier contemporary music venue of Europe.
She tours regularly as a member of the George Crumb Ensemble. With
violin virtuoso Movses Pogossian, she has taken György Kurtág’s Kafka
Fragments to more than 30 venues across the United States,
Canada, Europe, and Asia. A DVD/CD set of their performance was
released in 2009 on Bridge Records, to great critical acclaim.
In addition to Kafka Fragments, Ms. Arnold’s many
recordings include a 2006 Grammy Nominated performance of George
Crumb’s Ancient Voices of Children on Bridge Records.
Released in 2009 was a DVD of the music of Crumb with the composer.
She collaborated with conductor Robert Craft on a CD of vocal works
by Anton Webern on the Naxos label. She has also recorded music
of Carter, Babbitt, Wolpe and Tania León for Bridge; Berio’s Sequenza
III for Naxos; and Kaija Saariaho’s Adjö on
New Focus Records.
Ms. Arnold is an active participant in the creation and commissioning
of new music. As the 2009 Howard Hanson Distinguished Professor
of American Music at the Eastman School, Ms. Arnold shepherded
the creation and premiere performances of new vocal music by 15
student composers. Recent premieres have included works by Philippe
Manoury, Jason Eckardt, David Liptak, and Ricardo Zohn-Muldoon.
During the summers, Ms. Arnold engages composers and singers in
music written by the participants of the SoundSCAPE Festival in
Maccagno, Italy. Since 2003 she has served on the faculty of the
University at Buffalo, where she founded the extended vocal techniques
ensemble, BABEL.
Ms. Arnold is a graduate of Oberlin
College and Northwestern
University.
Among her many mentors, she is greatly indebted to her study with
sopranos Carmen Mehta and Carol Webber, and conductors Robert Spano
and Victor Yampolsky.
screecher schooling
University Diplomas
Northwestern University School of Music
Master of Music in Orchestral Conducting 1993
Study with Victor Yampolsky
Recipient of Conducting Department Honors May 1991
Vocal study with Carmen Mehta
Oberlin College Conservatory of Music
Bachelor of Music in Vocal Performance 1990
Study with Carol Webber
Piano minor study with Jack Radunsky and Peter Takács
Conducting study with Robert Spano, Mallory Thompson, and Daniel
Moe
Acting study with John Bouchard
Summer Festivals
Aspen Music Festival
Vocal Chamber Music Fellow 2000
Study with Paul Sperry, Adele Addison, and William
Sharp
Aspen Music Festival
Orchestral Conducting Fellow 1994
Study with Murry Sidlin, Robert Spano, Leonard
Slatkin, Gerard Schwartz, and James Conlon
The Conductors Institute
University of South Carolina
Associate 1991
Study with Harold Farberman.
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